Oh jeez, has it been a whole year already? Well, 2013 sure flew by fast I can tell you and I can’t say I remember that much on account of pretty much working my ass off for these past 52 weeks. In fact I once again had to go through the blog in order to check up on what happened and when because it’s all kind of a blur to me. So here we go:
January saw the release of Germany-based CRKO #3/4, which I made one of the covers for. Mid-through the month I finally got Propellerheads‘ Reason 6.5 and music-wise things were never quite the same. The rough mix of In Space, originally slated for my first full length album, somehow turned into a 7-song EP released towards the end of the month. The Adventures of Superseven and Sandra West was released in a mammoth 5 DVD box collecting their initial 28 episodes plus bonus goodies like The Norliss Tapes‘ Groovy video. My work for the series earned both me and The Norliss Tapes our own pages on IMDB.com.
February saw the release of Sal Canzonieri‘s book Electric Frankenstein, compiling posters and record sleeves made for them during the period of June 2005 to December 2013, but I’ve still to receive any confirmation that my contributions are in it. Check out on Amazon.com.
March saw the initial demos for my faux-OST L’Isola die Morti Viventi being created, starting out with A Modest Tribute to Fabio Frizzi. Meanwhile I finished up most of the tracks for the Adventures of Superseven and Sandra West soundtrack album and released the doomsday-dub Armageddon Dub, with a b-side featuring some drumming courtesy The Jimmy C.
April kicked off with the release of the super-silly EP Squawky – featuring one of my personal fave b-sides The Name is West. A teaser-taste freebie of the coming soundtrack album was released and the They Call Me Superseven OST was released mid-month. The web series ran a successful campaign on Kickstarter, generating funds for the third season. UK label Dead by Mono‘s third installment of No Way Out! saw the physical debut of The Norliss Tapes with the track A Trip to the Moon. Me and UK photographer Robert Boud crossed paths resulting in some pretty cool collaborations. The end of the month saw the release of Call Me Greenhorn’s new-wave-ish Chasing the Dawn EP, originally slated for inclusion in an Australia-produced feature, but somehow that fell through. The poster I created to commemorate the launch of The Bigfoot Diaries live radio show was released in a limited edition.
May saw the release of Robert Boud’s video for Armageddon Dub, more dub sounds as The Titan Was Deemed Unsinkable was posted on SoundCloud, more videos as Robert Griffith‘s Here Comes Gorbot was made official and The Harvester appeared on SoundCloud, slated for an EP that I totally forgot about. The Jimmy C released the eight-track EP The Man Who Never Dies featuring three mixes I did and the month ended with the release of the CMGH2 album, aka The Abandoned Project.
June kicked off with a teaser taste from my stoner project Ursa Major, followed by The Hit ‘In Sounds’ of Today’s Outside Crowd album and I chipped in some $$$ on Kickstarter for James R. Petix and Sarah Babila‘s documentary It Came From Detroit.
July had me creating some merchandise designs for Belgium’s own Captain Catastrophy, I released the I’m Normal! cloudcast on MixCloud, released the “summer bonus” EP L’amour en Apesanteur and started my second side project Get Carpenter – I gotta admit I just love that name!
August saw me launching my page on Society 6, kicking off with the August 18, 1973 series honoring Tobe Hooper‘s horror classic The Texas Chain Saw Massacre. My stoner side project Ursa Major debuted with its 18-minute two-track Like Leaves and the end of the month saw the release of my faux-OST L’Isola die Morti Viventi.
September saw the launch of greenhorndub.bandcamp.com where I added the four-track The Titan Was Deemed Unsinkable EP after things turned out less-than-optimal over at dubmusic.com. The same month Pink Hulk EP followed. The John-Carpenter-meets-King-Tubby track Cutthroats at Midnight was finished and I began work on a S/T EP. The end of the month saw the release of the Halloween-themed The Ghost of Lee Van Cleef EP and Robert Boud’s video The Modern Day Holocaust.
In October I chipped in more of my hard-earned cash to support Tal Zimerman‘s project Why Horror? on Kickstarter, a documentary on the whys behind this film genre, and I even had a chance to do an interview with the guy for Swedish Gore Film Society. Towards the end of the month my second Haunted House of Horrors cloudcast was released in time for Halloween.
November saw me creating some artwork for U.S.-based true crime magazine Serial Killer Magazine and the end of the month saw the release of the Cutthroats at Midnight EP.
Finally, December saw the launch of Jamie Vayda‘s Loud Comix #2 – featuring a sleeve by yours truly – the release of the It Came From Detroit documentary – check it out! – and some videos I edited with a new freebie video editing software: Battle è in Arrivo, In Orbit, Invasion of the Dead and Voodoo Rhythm/A Feast on Flesh.
Yikes! How’s that for a list? Gee, no wonder I’m tired. But then again, I am quite enjoying myself and hopefully people out there enjoy what I create as well. Got more cool things happening in 2014 and I’d appreciate you joining me to check ’em out. ‘Til then, Happy New Year!