Posts Tagged ‘Here Comes Gorbot’

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Post #650: Summing up 2013

December 31, 2013

Oh jeez, has it been a whole year already? Well, 2013 sure flew by fast I can tell you and I can’t say I remember that much on account of pretty much working my ass off for these past 52 weeks. In fact I once again had to go through the blog in order to check up on what happened and when because it’s all kind of a blur to me. So here we go:

copyright Sellergren Design 2011!January saw the release of Germany-based CRKO #3/4, which I made one of the covers for. The rough mix of In Space, originally slated for my first full length album, somehow turned into a 7-song EP released towards the end of the month. The Adventures of Superseven and Sandra West was released in a mammoth 5 DVD box collecting their initial 28 episodes plus bonus goodies like The Norliss TapesGroovy video. My work for the series earned both me and The Norliss Tapes our own pages on IMDB.com.

February saw the release of Sal Canzonieri‘s book Electric Frankenstein, compiling posters and record sleeves made for them during the period of June 2005 to December 2013, but I’ve still to receive any confirmation that my contributions are in it. Check it out on Amazon.com.

March saw the initial demos for my faux-OST L’Isola die Morti Viventi being created, starting out with A Modest Tribute to Fabio Frizzi. Meanwhile I finished up most of the tracks for the Adventures of Superseven and Sandra West soundtrack album and released the doomsday-dub Armageddon Dub, with a b-side featuring some drumming courtesy The Jimmy C.

squawkyApril kicked off with the release of the super-silly EP Squawky – featuring one of my personal fave b-sides The Name is West. A teaser-taste freebie of the coming soundtrack album was released and the They Call Me Superseven OST was released mid-month. The web series ran a successful campaign on Kickstarter, generating funds for the third season. UK label Dead by Mono‘s third installment of No Way Out! saw the physical debut of The Norliss Tapes with the track A Trip to the Moon. Me and UK photographer Robert Boud crossed paths resulting in some pretty cool collaborations. The end of the month saw the release of Call Me Greenhorn’s new-wave-ish Chasing the Dawn EP, originally slated for inclusion in an Australia-produced feature, but somehow that fell through. The poster I created to commemorate the launch of The Bigfoot Diaries live radio show was released in a limited edition.

May saw the release of Robert Boud’s video for Armageddon Dub, more dub sounds as The Titan Was Deemed Unsinkable was posted on SoundCloud, more videos as Robert Griffith‘s Here Comes Gorbot was made official and The Harvester appeared on SoundCloud, slated for an EP that I totally forgot about. The Jimmy C released the eight-track EP The Man Who Never Dies featuring three mixes I did and the month ended with the release of the CMGH2 album, aka The Abandoned Project.

copyright Sellergren Design 2013!

June kicked off with a teaser taste from my stoner project Ursa Major, followed by The Hit ‘In Sounds’ of Today’s Outside Crowd album and I chipped in some $$$ on Kickstarter for James R. Petix and Sarah Babila‘s documentary It Came From Detroit.

July had me creating some merchandise designs for Belgium’s own Captain Catastrophy, I released the I’m Normal! cloudcast on MixCloud, released the “summer bonus” EP L’amour en Apesanteur and started my second side project Get Carpenter – I gotta admit I just love that name!

August saw me launching my page on Society 6, kicking off with the August 18, 1973 series honoring Tobe Hooper‘s horror classic The Texas Chain Saw Massacre. My stoner side project Ursa Major debuted with its 18-minute two-track Like Leaves and the end of the month saw the release of my faux-OST L’Isola die Morti Viventi.

September saw the launch of greenhorndub.bandcamp.com where I added the four-track The Titan Was Deemed Unsinkable EP after things turned out less-than-optimal over at dubmusic.com. The same month Pink Hulk EP followed. The John-Carpenter-meets-King-Tubby track Cutthroats at Midnight was finished and I began work on a S/T EP. The end of the month saw the release of the Halloween-themed The Ghost of Lee Van Cleef EP and Robert Boud’s video The Modern Day Holocaust.

copyright Sellergren Design 2013!

In October I chipped in more of my hard-earned cash to support Tal Zimerman‘s project Why Horror? on Kickstarter, a documentary on the whys behind this film genre, and I even had a chance to do an interview with the guy for Swedish Gore Film Society. Towards the end of the month my second Haunted House of Horrors cloudcast was released in time for Halloween.

November saw me creating some artwork for U.S.-based true crime magazine Serial Killer Magazine and the end of the month saw the release of the Cutthroats at Midnight EP.

Finally, December saw the launch of Jamie Vayda‘s Loud Comix #2 – featuring a sleeve by yours truly – the release of the It Came From Detroit documentary – check it out! – and some videos I edited with a new freebie video editing software: Battle è in Arrivo, In Orbit, Invasion of the Dead and Voodoo Rhythm/A Feast on Flesh.

Yikes! How’s that for a list? Gee, no wonder I’m tired. But then again, I am quite enjoying myself and hopefully people out there enjoy what I create as well. Got more cool things happening in 2014 and I’d appreciate you joining me to check ’em out. ‘Til then, Happy New Year!

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Here Comes Gorbot!

May 15, 2013

Well, after that less-than-optimistic previous post it’s time for some kick-ass news that’s actually been months in the making. Time to premiere the video for Call Me Greenhorn‘s Here Comes Gorbot – off the coming CMGH2 aka The Abandoned Project album!

Directed by Robert Griffith it stars Jerry Kokich and Olivia Dunkley from The Adventures of Superseven and Sandra West web series – Olivia at her best Fay Wray and Jerry doing some great work as the King Kong-esque Gorbot, one of my fave criminal characters from the series. If memory serves me correct the video was shot in November 2012 and the songs were created some time during fall of said year.

Anyway, the album is due to be released later on this month complete with bonus tracks and the video. In the meantime check it out and share away! Cheers!

UPDATE: I’m stoked to announce that the video has been selected top pick at Frequency.com! Check it out here and if you install their application you can even watch it on your iPhone!

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Post #400: Summing up 2012

December 31, 2012

Happy New Year!

Wow! Yeah, with food being ready to cook and guests arriving at any minute, I’m gonna be brief. This year has been pretty amazing and looking back I am honestly astonished and proud of my efforts these past 12 months. Jeez, no wonder I’ve been tired, ha ha ha.

January started off with two teaser videos for The Norliss Tapes and a jingle (my first!) for French radio show Megawatts (check it out on YouTube). February saw The Cymatics Euro tour and the release of the 3-track EP Sugar Punch (later on discontinued, but I’m not gonna get into that). March saw the debut of The Norliss Tapes with A Little Bit Tipsy, featuring a kick-ass organ courtesy Staffan Segel, and the video soon followed. I also made the sleeve for German fanzine Ox Magazine‘s CD compilation Ox Fanzine Compilation #101.

The second quarter saw the release of Norliss’ second video A Trip To the Moon and The Cymatics Hang Out appeared on the Ox compilation CD mentioned above. After a week’s vacation in April, Bad Robot EP was released with the A Trip To the Moon EP being released prior to that. After May I’m actually surprised to see that June produced nothing (!!!), but to be honest I have no idea why.

July kicked off with The Norliss Tapes getting in touch with the producers of The Adventures of Superseven and Sandra West leading to a fruitful relationship that goes on to this day. And personally this opened up the world of creating soundtracks for me – something that I am really interested in pursuing in the future. I finished the sleeve for the Herz und Liebe EP – thanks to the gorgeous Eva Halloween – and The Norliss Tapes wrote the first track specifically for the S7 series – Space Pussyfoot. July also marked the debut of Bad Robot as it was the first track to be featured in the S7 show, namely Operation: Live to Die Another Day. August saw the release of the experimental QUAD – The Norliss Tapes Spatial Stereo Mixes 3-track EP, plus Bad Robot once again being featured in the S7  double episode Op: Kiss Kiss, Kill Kill. After yet another week’s vacation in September I joined The Bigfoot Diaries‘ editor-in-chief Troy Church on air as we discussed corporate music and radio on The Fallon Forum, The Norliss Tapes released the Herz und Liebe EP, and both Bad Robot as well as Space Pussyfoot appeared in the end credits of the S7 series. I also chipped in some $$$ on Kickstarter to help finance  Scott Crawford and Jim Saah‘s upcoming documentary Salad Days: The Birth of Punk Rock in the Nation’s Capital to be released in 2013.

The final quarter saw an amazing amount of productivity that actually surprised the heck outta me when I finally had it written down on paper. The Norliss Tapes released the It’s Halloween EP (complete with a video) in October, I finished two videos for the Bad Robot EP, found the time to do the Haunted House of Horror’s Horrific Halloween Twist-a-Rama! podcast (available on MixCloud), wrote a second song exclusively for the S7 series (Superseven in Space Theme), plus saw more songs being featured in the S7 series. Troy Church got in touch and commissioned Halloween-themed artwork for The Bigfoot Diaries and once the Halloween EP was released I sat down to remix and remaster my old hardcore outfit Gå Vidare till Norrmalmstorg‘s sessions and the Blästrad EP was released – complete with two videos. After an interview with punkoutlaw.com regarding GVtN’s EP in November and the video for The Norliss Tapes Groovy I immediately began work on my first solo effort entitled Call Me Greenhorn. The debut S/T EP was released (with two videos of course!) and work on the debut full length began with Australian musician Jamie Coghill aka The Jimmy C providing the drums. The Norliss Tapes had more songs featured in the S7 series but November also saw Call Me Greenhorn’s Here Comes Gorbot debuting in the show. I finished the Armageddon Dub but made it available on my SoundCloud as I deemed it too dark to be included on the full length. December saw me beginning work remixing three tracks for an upcoming EP – finished during my two weeks of holiday vacation – and GVtN was approached by a German label expressing their interest in including some tracks on an upcoming compilation slated for release in 2013 – to which we said yes.

Damn. That’s quite a list huh? I’m satisfied albeit a bit tired. Anyway, Happy New Year everybody!

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