Posts Tagged ‘SoundCloud’

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Electronic Phantasmagoria

August 7, 2014

 

Head on over to SoundCloud and check out Death Waltz Recording Company‘s all-new horror mix Electronic Phantasmagoria. Roughly an hour’s length, this mix is a collection of “commercially unavailable electronic soundtrack music from the 60s and 70s.”

Culled from various VHS (?) sources, this is a great collection of lesser-known tracks, ripped from low-budget, sleazy horror films, so expect hiss, crackle, sound drop outs, distortion, abrupt editing and freaky dialogue – just perfect!

Speaking of SoundCloud, I just uploaded Regina dei Cannibali End Titles to Videogram‘s official page. Check it out.

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Videogram!

July 11, 2014

Doc Terror just kicked the Italian Horror Week in gear which means that today sees the release of Videogram‘s first album. Featuring sixteen tracks, this self-titled effort draws inspiration from all sorts of genre sounds created in the 1980s.

In a review-slash-interview just posted on the official site, Doc sums it up “This was something new. Something special. Videogram was born from the souls and corpses of Italian schlock as well as exploitation and horror cinema of the 1970’s and 80’s. With strong John Carpenter sensibilities and layered simplicity that evolves into an aggregated fire storm of sound, this is an album to check out.”

There are physical formats in the works, but $7 gets you the full album/VHS experience via Bandcamp. The album is also available on Amazon, Spotify, Deezer and eMusic, with iTunes coming later on. One more teaser has been posted on my SoundCloud. Check it out.

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Videogram pre-order

June 29, 2014

Well, the countdown has begun with less than two weeks ’til Doc Terror‘s Italian Horror Week kicks off. And man I am psyched! This past Friday saw the initial pre-order release of the Videogram album and I can’t believe the response I’ve gotten so far!

I’ve been sending out promo downloads like crazy since Thursday, and after receiving a super-positive plug from Lunchmeat VHS Fanzine things really turned up a notch. Leaving me kinda flabbergasted to tell you the truth.

Now, I can’t make anything official just yet, but I have received some offers of releasing the album on various physical formats – including one that’ll have VHS fanatics salivating – and already conducted two interviews (with more to come) and there’s a couple of shout-outs and plugs coming in the near future. And how crazy is it that the album has already placed second in the horror soundtrack category on Bandcamp two weeks prior to its release?

Anyway, make sure to check out the pre-order tracks, $7 gets you the full album on July 11th, visit my new SoundCloud for a taste of Charles Bronson and 2077: Raiders of the Apocalypse – both tracks available as free downloads via my Bandcamp, provided you have a valid email address.

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2077: Raiders of the Apocalypse

June 24, 2014

VideogramWEBSLEEVE

Here we go: Yesterday saw the “unveiling” of the cover art for the coming Videogram mix. Created by Bulgarian artist Mike Daskalov, it’s kinda reminiscent of Vestron Video‘s logo complete with the blurriness that came with VHS. The feedback has been great so far and James that runs the Italian Horror Week was thrilled to see it.

More unleashed VHS-influenced goodies is the track 2077: Raiders of the Apocalypse. Inspired by the post-apocalyptic genre movies of the 1980s – Equalizer 3000, Battletruck and Endgame just to mention a few – I’m pretty satisfied with how this one came out. Nice, dirge-y backbeat with some pretty cool synth sounds. Check it out on SoundCloud.

EDIT: In order to make things less confusing, I made the decision that future horror OST-influenced material will be released under the Videogram moniker ’cause, frankly, Call Me Greenhorn is just too damn weird a name and doesn’t really fit. Got a Facebook page up and running and I keep adding Bandcamp page etc. in the near future. Check it out here.

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Charles Bronson

May 10, 2014

Here we go: I was recently asked by Doc Terror to contribute a mix for their Italian Horror Week in June, and instead of culling some choice cuts from my vinyl and CD collection – and this is where the workaholic in me shines through – I immediately suggested creating all-new Call Me Greenhorn tracks instead.

I’ve currently finished up roughly a dozen tracks, with some 3-4 demoed ideas waiting to be worked on, and decided to post a teaser taste on my SoundCloud to start promoting the release (that will be available on Amazon, Spotify, Bandcamp etc. later on). We’re talking a total of between 12-17 tracks and roughly 30 to 40 minutes of various horror/exploitation-inspired sounds. Check out Charles Bronson and get ready for June!

EDIT: My bad, the Italian Horror Week is in July, not June.

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Giallos Flame

April 26, 2014

I recently did a live interview with Beyond the Playlist (online in June!) and feel kinda lame as I completely forgot to plug this artist while I had the chance: Giallos Flame! The pseudonym for UK-based (?) multi-instrumentalist Ron Graham, this project is my personal fave when it comes to modern, horror OST-influenced music ’cause his works is second to none. Not only influenced by the Italian-produced exploitation fare of the 1970s and 80s, his works have the sound and feel down so cold that they easily could be mistaken for the real thing. Those lesser morally inclined could probably get away with putting his vinyl records in dusty, pre-worn sleeves and sell to the uninitiated on eBay for impressive sums and none of them would be the wiser.

giallosNow, Ron seems to be quite the reserved, private guy as he’s been active for more than a decade, but I’d be damned if I could find any additional information or interviews online – an interesting experience as it both frustrates you and reinvigorates your inner nerd (actually, giving it a raging hard-on would be a more proper phrase) as it has you clawing for those scraps of knowledge picked up here and there, furiously assembling them in order to complete the picture. It’s almost like a throwback to the pre-internet late 1980s when horror movies could be rare, uncensored edition usually meant “third generation copy” and information about said titles surfaced once every second year in fanzines that took 6 to 8 weeks to arrive in your mail box. If this is a thought-out marketing strategy I gotta hand it to whoever’s behind it for pulling off the intriguing-mystery-artist image in an age where everybody has an online presence, especially musicians that have a tendency to promote every fart, burp and chord produced during the day. All joking aside, like The Active Listener stated last year his obscurity is puzzling.

He’s done some movie work, composing musical scores for low-budget horrors such as Murder-Set-Pieces and Black Devil Doll, and his discography includes several albums and EPs – all on independent labels. Recently signing to Rotary Tower – both a record label and music library meaning you can license his works for media use – there are two new releases in the plans, Archivio Giallo volumes 1 and 2, collecting over two dozens of rare and unreleased tracks into one hour-long retro experience. Both can be streamed in full on SoundCloud (links below) and I also took the time to create a playlist on YouTube, culling together all the tracks I could find. Check him out!

Website: http://giallosflame.blogspot.com
Facebook:
 https://www.facebook.com/pages/Giallos-Flame/223057054378764
SoundCloud: https://soundcloud.com/the-giallos-flame
IMDB: http://www.imdb.com/name/nm1700116/

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Joe Davolaz

April 2, 2014

Here’s a quickie song byte I discovered via the UK show Project Moonbase: Joe Davolaz! A fellow Swedish sextet that really got the retro exotica sound down cold. Their track Piña Colada emulated the vibe so perfectly it had me convinced it’d fit perfectly in a mid-60s genre movie – maybe even a French one as there is a slight ye-ye influence to be heard.

Soon to be released as a 5″ flexi disc on Tona Serenad. Check out their SoundCloud for further info.

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Max Tannone

April 1, 2014

Head on over to SoundCloud and check out Max Tannone‘s brilliant album Mic Check 1234!. Ten mashups in all blending together punk rock outfits like The Ramones, Black Flag and Reagan Youth with rappers such as Tupac Shakur, Nas and Public Enemy.

I found Max via the 2009 Doublecheck Your Head album that saw him remixing seven tracks by The Beastie Boys, but the punk-meets-rap effort turned out to be a personal fave where the familiar classics were turned on their ears with surprising and fresh results.

Keeping himself busy DJing, mixing and producing, this New York-based musician also creates original music on his own – and last year saw him release a documentary about one of the remaining video stores in NYC, so you know his heart is in the right place. All the albums are available as free downloads so make sure to check him out here and visit his official website at www.maxtannone.com.

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Post #650: Summing up 2013

December 31, 2013

Oh jeez, has it been a whole year already? Well, 2013 sure flew by fast I can tell you and I can’t say I remember that much on account of pretty much working my ass off for these past 52 weeks. In fact I once again had to go through the blog in order to check up on what happened and when because it’s all kind of a blur to me. So here we go:

copyright Sellergren Design 2011!January saw the release of Germany-based CRKO #3/4, which I made one of the covers for. Mid-through the month I finally got PropellerheadsReason 6.5 and music-wise things were never quite the same. The rough mix of In Space, originally slated for my first full length album, somehow turned into a 7-song EP released towards the end of the month. The Adventures of Superseven and Sandra West was released in a mammoth 5 DVD box collecting their initial 28 episodes plus bonus goodies like The Norliss TapesGroovy video. My work for the series earned both me and The Norliss Tapes our own pages on IMDB.com.

February saw the release of Sal Canzonieri‘s book Electric Frankenstein, compiling posters and record sleeves made for them during the period of  June 2005 to December 2013, but I’ve still to receive any confirmation that my contributions are in it. Check out on Amazon.com.

March saw the initial demos for my faux-OST L’Isola die Morti Viventi being created, starting out with A Modest Tribute to Fabio Frizzi. Meanwhile I finished up most of the tracks for the Adventures of Superseven and Sandra West soundtrack album and released the doomsday-dub Armageddon Dub, with a b-side featuring some drumming courtesy The Jimmy C.

squawkyApril kicked off with the release of the super-silly EP Squawky – featuring one of my personal fave b-sides The Name is West. A teaser-taste freebie of the coming soundtrack album was released and the They Call Me Superseven OST was released mid-month. The web series ran a successful campaign on Kickstarter, generating funds for the third season. UK label Dead by Mono‘s third installment of No Way Out! saw the physical debut of The Norliss Tapes with the track A Trip to the Moon. Me and UK photographer Robert Boud crossed paths resulting in some pretty cool collaborations. The end of the month saw the release of Call Me Greenhorn’s new-wave-ish Chasing the Dawn EP, originally slated for inclusion in an Australia-produced feature, but somehow that fell through. The poster I created to commemorate the launch of The Bigfoot Diaries live radio show was released in a limited edition.

May saw the release of Robert Boud’s video for Armageddon Dub, more dub sounds as The Titan Was Deemed Unsinkable was posted on SoundCloud, more videos as Robert Griffith‘s Here Comes Gorbot was made official and The Harvester appeared on SoundCloud, slated for an EP that I totally forgot about. The Jimmy C released the eight-track EP The Man Who Never Dies featuring three mixes I did and the month ended with the release of the CMGH2 album, aka The Abandoned Project.

copyright Sellergren Design 2013!

June kicked off with a teaser taste from my stoner project Ursa Major, followed by The Hit ‘In Sounds’ of Today’s Outside Crowd album and I chipped in some $$$ on Kickstarter for James R. Petix and Sarah Babila‘s documentary It Came From Detroit.

July had me creating some merchandise designs for Belgium’s own Captain Catastrophy, I released the I’m Normal! cloudcast on MixCloud, released the “summer bonus” EP L’amour en Apesanteur and started my second side project Get Carpenter – I gotta admit I just love that name!

August saw me launching my page on Society 6, kicking off with the August 18, 1973 series honoring Tobe Hooper‘s horror classic The Texas Chain Saw Massacre. My stoner side project Ursa Major debuted with its 18-minute two-track Like Leaves and the end of the month saw the release of my faux-OST L’Isola die Morti Viventi.

September saw the launch of greenhorndub.bandcamp.com where I added the four-track The Titan Was Deemed Unsinkable EP after things turned out less-than-optimal over at dubmusic.com. The same month Pink Hulk EP followed. The John-Carpenter-meets-King-Tubby track Cutthroats at Midnight was finished and I began work on a S/T EP. The end of the month saw the release of the Halloween-themed The Ghost of Lee Van Cleef EP and Robert Boud’s video The Modern Day Holocaust.

copyright Sellergren Design 2013!

In October I chipped in more of my hard-earned cash to support Tal Zimerman‘s project Why Horror? on Kickstarter, a documentary on the whys behind this film genre, and I even had a chance to do an interview with the guy for Swedish Gore Film Society. Towards the end of the month my second Haunted House of Horrors cloudcast was released in time for Halloween.

November saw me creating some artwork for U.S.-based true crime magazine Serial Killer Magazine and the end of the month saw the release of the Cutthroats at Midnight EP.

Finally, December saw the launch of Jamie Vayda‘s Loud Comix #2 – featuring a sleeve by yours truly – the release of the It Came From Detroit documentary – check it out! – and some videos I edited with a new freebie video editing software: Battle è in Arrivo, In Orbit, Invasion of the Dead and Voodoo Rhythm/A Feast on Flesh.

Yikes! How’s that for a list? Gee, no wonder I’m tired. But then again, I am quite enjoying myself and hopefully people out there enjoy what I create as well. Got more cool things happening in 2014 and I’d appreciate you joining me to check ‘em out. ‘Til then, Happy New Year!

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Cutthroats at Midnight

September 22, 2013
copyright Sellergren Design 2013!

copyright Sellergren Design 2013!

Hey, check it out: I was recently approached by UK photographer Robert Boud to produce a track for his upcoming video based on the series The Holocaust. We collaborated earlier this year when he used Call Me Greenhorn‘s track Armageddon Dub for his brilliant series Aftermath Apocalypse (a match made in heaven if you ask me), and yesterday saw me finally having the time to sit down and produce something fitting for his project.

Entitled Cutthroats at Midnight I did a sort of weird blend between the horror synth sounds of John Carpenter and the Jamaican dub stylings of King Tubby. On paper it may look like a pretty damn unlikely combo, but I think it kinda works. Got a nice, menacing feel while still delivering a groove of sorts.

The video will be out later this year (I think), I’ll get working on a couple of more tracks to have an EP’s worth of material to release on Call Me Greenhorn DUB, and in the mean time give the track a spin below.

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