Posts Tagged ‘SoundCloud’

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Joe Davolaz

April 2, 2014

Here’s a quickie song byte I discovered via the UK show Project Moonbase: Joe Davolaz! A fellow Swedish sextet that really got the retro exotica sound down cold. Their track Piña Colada emulated the vibe so perfectly it had me convinced it’d fit perfectly in a mid-60s genre movie – maybe even a French one as there is a slight ye-ye influence to be heard.

Soon to be released as a 5″ flexi disc on Tona Serenad. Check out their SoundCloud for further info.

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Max Tannone

April 1, 2014

Head on over to SoundCloud and check out Max Tannone‘s brilliant album Mic Check 1234!. Ten mashups in all blending together punk rock outfits like The Ramones, Black Flag and Reagan Youth with rappers such as Tupac Shakur, Nas and Public Enemy.

I found Max via the 2009 Doublecheck Your Head album that saw him remixing seven tracks by The Beastie Boys, but the punk-meets-rap effort turned out to be a personal fave where the familiar classics were turned on their ears with surprising and fresh results.

Keeping himself busy DJing, mixing and producing, this New York-based musician also creates original music on his own – and last year saw him release a documentary about one of the remaining video stores in NYC, so you know his heart is in the right place. All the albums are available as free downloads so make sure to check him out here and visit his official website at www.maxtannone.com.

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Post #650: Summing up 2013

December 31, 2013

Oh jeez, has it been a whole year already? Well, 2013 sure flew by fast I can tell you and I can’t say I remember that much on account of pretty much working my ass off for these past 52 weeks. In fact I once again had to go through the blog in order to check up on what happened and when because it’s all kind of a blur to me. So here we go:

copyright Sellergren Design 2011!January saw the release of Germany-based CRKO #3/4, which I made one of the covers for. Mid-through the month I finally got PropellerheadsReason 6.5 and music-wise things were never quite the same. The rough mix of In Space, originally slated for my first full length album, somehow turned into a 7-song EP released towards the end of the month. The Adventures of Superseven and Sandra West was released in a mammoth 5 DVD box collecting their initial 28 episodes plus bonus goodies like The Norliss TapesGroovy video. My work for the series earned both me and The Norliss Tapes our own pages on IMDB.com.

February saw the release of Sal Canzonieri‘s book Electric Frankenstein, compiling posters and record sleeves made for them during the period of  June 2005 to December 2013, but I’ve still to receive any confirmation that my contributions are in it. Check out on Amazon.com.

March saw the initial demos for my faux-OST L’Isola die Morti Viventi being created, starting out with A Modest Tribute to Fabio Frizzi. Meanwhile I finished up most of the tracks for the Adventures of Superseven and Sandra West soundtrack album and released the doomsday-dub Armageddon Dub, with a b-side featuring some drumming courtesy The Jimmy C.

squawkyApril kicked off with the release of the super-silly EP Squawky – featuring one of my personal fave b-sides The Name is West. A teaser-taste freebie of the coming soundtrack album was released and the They Call Me Superseven OST was released mid-month. The web series ran a successful campaign on Kickstarter, generating funds for the third season. UK label Dead by Mono‘s third installment of No Way Out! saw the physical debut of The Norliss Tapes with the track A Trip to the Moon. Me and UK photographer Robert Boud crossed paths resulting in some pretty cool collaborations. The end of the month saw the release of Call Me Greenhorn’s new-wave-ish Chasing the Dawn EP, originally slated for inclusion in an Australia-produced feature, but somehow that fell through. The poster I created to commemorate the launch of The Bigfoot Diaries live radio show was released in a limited edition.

May saw the release of Robert Boud’s video for Armageddon Dub, more dub sounds as The Titan Was Deemed Unsinkable was posted on SoundCloud, more videos as Robert Griffith‘s Here Comes Gorbot was made official and The Harvester appeared on SoundCloud, slated for an EP that I totally forgot about. The Jimmy C released the eight-track EP The Man Who Never Dies featuring three mixes I did and the month ended with the release of the CMGH2 album, aka The Abandoned Project.

copyright Sellergren Design 2013!

June kicked off with a teaser taste from my stoner project Ursa Major, followed by The Hit ‘In Sounds’ of Today’s Outside Crowd album and I chipped in some $$$ on Kickstarter for James R. Petix and Sarah Babila‘s documentary It Came From Detroit.

July had me creating some merchandise designs for Belgium’s own Captain Catastrophy, I released the I’m Normal! cloudcast on MixCloud, released the “summer bonus” EP L’amour en Apesanteur and started my second side project Get Carpenter – I gotta admit I just love that name!

August saw me launching my page on Society 6, kicking off with the August 18, 1973 series honoring Tobe Hooper‘s horror classic The Texas Chain Saw Massacre. My stoner side project Ursa Major debuted with its 18-minute two-track Like Leaves and the end of the month saw the release of my faux-OST L’Isola die Morti Viventi.

September saw the launch of greenhorndub.bandcamp.com where I added the four-track The Titan Was Deemed Unsinkable EP after things turned out less-than-optimal over at dubmusic.com. The same month Pink Hulk EP followed. The John-Carpenter-meets-King-Tubby track Cutthroats at Midnight was finished and I began work on a S/T EP. The end of the month saw the release of the Halloween-themed The Ghost of Lee Van Cleef EP and Robert Boud’s video The Modern Day Holocaust.

copyright Sellergren Design 2013!

In October I chipped in more of my hard-earned cash to support Tal Zimerman‘s project Why Horror? on Kickstarter, a documentary on the whys behind this film genre, and I even had a chance to do an interview with the guy for Swedish Gore Film Society. Towards the end of the month my second Haunted House of Horrors cloudcast was released in time for Halloween.

November saw me creating some artwork for U.S.-based true crime magazine Serial Killer Magazine and the end of the month saw the release of the Cutthroats at Midnight EP.

Finally, December saw the launch of Jamie Vayda‘s Loud Comix #2 – featuring a sleeve by yours truly – the release of the It Came From Detroit documentary – check it out! – and some videos I edited with a new freebie video editing software: Battle è in Arrivo, In Orbit, Invasion of the Dead and Voodoo Rhythm/A Feast on Flesh.

Yikes! How’s that for a list? Gee, no wonder I’m tired. But then again, I am quite enjoying myself and hopefully people out there enjoy what I create as well. Got more cool things happening in 2014 and I’d appreciate you joining me to check ‘em out. ‘Til then, Happy New Year!

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Cutthroats at Midnight

September 22, 2013
copyright Sellergren Design 2013!

copyright Sellergren Design 2013!

Hey, check it out: I was recently approached by UK photographer Robert Boud to produce a track for his upcoming video based on the series The Holocaust. We collaborated earlier this year when he used Call Me Greenhorn‘s track Armageddon Dub for his brilliant series Aftermath Apocalypse (a match made in heaven if you ask me), and yesterday saw me finally having the time to sit down and produce something fitting for his project.

Entitled Cutthroats at Midnight I did a sort of weird blend between the horror synth sounds of John Carpenter and the Jamaican dub stylings of King Tubby. On paper it may look like a pretty damn unlikely combo, but I think it kinda works. Got a nice, menacing feel while still delivering a groove of sorts.

The video will be out later this year (I think), I’ll get working on a couple of more tracks to have an EP’s worth of material to release on Call Me Greenhorn DUB, and in the mean time give the track a spin below.

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Friday Night Roundup

September 20, 2013

copyright Sellergren Design 2013!

copyright Sellergren Design 2013!

Well, here we go with the end of another week and again another roundup. First off I wanna plug my recent Society 6 addition: Man is The Warmest Place to Hide. It took me a week to finish and I really busted ass on this one as I am a fan of John Carpenter‘s The Thing and wanted it to turn out just right. I am psyched by the results so make sure to check it out!

More great work found on S6 is Casey Weldon (that kinda reminds me of Mark Ryden‘s work), Guiseppe Cristiano, GBret, MZart-Mel Bohrer, Andrew Henry, and Hillary White, who truly’s got something unique going! The classics meets pop culture like you never seen before. Check ‘em all out!

Music wise Death Waltz Recording Company made a couple of tracks from the coming release of the soundtrack from Lucio Fulci‘s New York Ripper available on their SoundCloud. The album will go on sale next Friday, so check it out here, and while on the subject the label will also release a four-track EP with Goblin to coincide with their first US tour.

More found sounds on SoundCloud is Panhandle‘s Click Clap. Released by Finders Keepers Records this track is just amazing! There’s something hypnotic about the damn thing and I can’t stop listening to it. And with 14,000+ plays I guess I’m not the only one. Just brilliant!

Aussie musician The Jimmy C also released a couple of new tracks on SoundCloud: Two Ween covers slated for an upcoming tribute album, Even If You Don’t and Don’t Get 2 Close (2 My Fantasy). My fave is the first one, but give ‘em both a spin!

In other news Call Me Greenhorn‘s fake-OST L’Isola dei Morti Viventi is still moving steadily upwards. Kinda weird considering it was a 100% fan boy project, but I am not complaining. Just goes to show that you really should vent that inner nerd. Give it a spin below and get it via Bandcamp here.

Other than that I found the time to catch the amazing photos collected by Superchief in their 80 Photos of Old New York (1970 – 1989) post, and apparently yesterday (September 19th according to the official website) was Talk Like a Pirate Day. I totally missed out on that one. Did you celebrate?

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Echoplex Theme

June 20, 2013
copyright Sellergren Design 2013!

copyright Sellergren Design 2013!

Stay tuned next week as it sees the release of the first, “official” album from my solo project Call Me Greenhorn – although it’s what, the third released this year? Plainly entitled Call Me Greenhorn – that other stuff was just added to give it the right retro 1960′s feel – it’ll have a total of fifteen tracks, although that might change as I am having one final sequencing session in a couple of days just going through all the songs and make sure I’m 100% satisfied with the results.

The sleeve itself is actually one of those Plan B type affairs. I had a different space monkey photograph in mind, but the license fee was just too steep for me to invest in at this early stage of the project – yeah, I’m actually trying to earn some money doing this! So, good thing that 1) NASA‘s photographs are considered to be in the public domain, and 2) they sent chimps up in space with some regularity back in the 1960′s enabling me to create the sleeve for the optimum cost of hours. The photo depicts Ham aka Ham the Chimp and Ham the Astrochimp, he was the first primate in space and his remains are actually buried in a memorial grave at the New Mexico Museum of Space History in Alamogordo, New Mexico. Read up on this fellow at Wikipedia. With the photo licensing solved I went right ahead trying to recreate a sort of retro-60′s instrumental album feel and am pretty satisfied with the results.

The album will be released next week, but you can get a teaser taste on my SoundCloud starting today. Entitled Echoplex Theme it’s actually the track that got me my contract with a licensing agency in the U.S. – but I’ll share more info on that story later on. In the mean time, give it a spin and tell your friends!

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The Beastles!

June 18, 2013

Well, here’s something fun I found via The Laughing Squid: The Beastles Ill Submarine! Twenty mashups of The Beastie Boys and The Beatles delivered by DJ BC – all dedicated to the memory of Adam Yauch. Titles include Drive My Car, Thief!, Don’t Let MCA Down and such greats as the track included above as well as Mean Old Men and Twist That Train - the last one being my personal fave. Killer drums!

Some of these work great and some, well,  not so much, but it was a fun listening experience nonetheless as I’m always blown away by the audio editing skills of some of these guys. Check it out in full on SoundCloud here, and you can download their complete discography at their official website here.

UPDATE: Well, the, ahem, “Powers That Be” apparently didn’t take too lightly to the album and it has been promptly removed from SoundCloud. Your best bet is to visit the official site, but there’s no guarantees the material will still available. You might wanna move fast on this one.

copyright YoYoYosef 2013!

copyright YoYoYosef 2013!

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Recap

May 31, 2013

copyright? I got this via http://rarasaur.wordpress.com/

copyright? I got this via http://rarasaur.wordpress.com/

Whoa Nellie! Well, I’ve been made aware that I have a tendency to blitz through things and just don’t leave enough time – or room – to fully promote the stuff I do. I gotta admit that is a character trait of mine. I’m so engulfed in the creation part of the process that once I’m finished with it I kinda just leave it and move on to the next thing. So with that in mind, here’s a sampler of what I’ve done lately and your chance to catch up with it all:

The Jimmy C – The Man Who Never Dies (REMIX EP 2013)

Featuring my three remixes of the title track. Check it out here.


Call Me Greenhorn – The Harvester

A brand-new, bit darker track that won’t appear on the coming S/T album due to be released in June. Check it out on my SoundCloud as well.

Call Me Greenhorn – Here Comes Gorbot (video)

New video for the CMGH2 aka The Abandoned Project album directed by Robert Griffith from The Adventures of Superseven and Sandra West, starring Olivia Dunkley and Jerry Kokich – the latter as Gorbot. Good fun! Check it out on my YouTube as well.

Call Me Greenhorn – The Titan Was Deemed Unsinkable

The first “darker” track that actually will be included on CMGH‘s debut. I love 70′s Jamaican dub and I’m satisfied with the results. Check that one out on my SoundCloud while you’re at it.

Call Me Greenhorn – Armageddon Dub (video)

And finally we have the kick-ass video for Armageddon Dub directed by brilliant UK photographer Robert Boud. His haunting imagery was a perfect fit for this track and I’m so stoked he agreed to do this. Check out the single on my Bandcamp here and the video on YouTube here, and make sure to visit his official page for a taste of his other works!

So there we go! Make sure you spread this around and stay tuned for more updates!

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The Harvester

May 19, 2013
copyright Sellergren Design 2013!

copyright Sellergren Design 2013!

Well, to paraphrase Turbonegro: Are you ready for some darkness? Meet Call Me Greenhorn‘s new outing The Harvester – A wayyyy darker offering than usual that’s kinda like if Fu Manchu and Queens of the Stone Age teamed up with what remains of Flipper to create a sort of Jesus and Mary Chain-esque soundtrack for the latest David Lynch outing. At least that’s what I envisioned while listening to the final mix earlier today.

As far as I can tell this lil’ baby will be released with The Titan Was Deemed Unsinkable later this summer – making it the second “dark” release from Camp Greenhorn in 2013 – and maybe I’ll have the time to write some more exclusive tracks to make it a more “legit” EP, we’ll see.

The sleeve is actually a collage of photos found on Wikimedia Commons. The Blue Skull – yeah, it’s actually blue to being with – is courtesy one ‘xlibber’ and the cemetery photo courtesy Walesman (Welshman?) Ben Salter. Check it out on my SoundCloud and share like crayzee!

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Chasing the Dawn!

April 25, 2013
copyright Sellergren Design 2013!

copyright Sellergren Design 2013!

COMING NEXT WEEK! As April draws to a close it’s time to launch the third (and final) Call Me Greenhorn release of the month: Chasing the Dawn! Three 80′s sounding tracks in the sort of New Wave vein written specifically for an upcoming feature film set in 1980′s Los Angeles. Think Carpenter, ninjas and neon.

There’s an unmastered rough mix teaser taste available on my SoundCloud, so go get a taste here, or just listen below. As always share away and spread the word!

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