Posts Tagged ‘Magnus Sellergren’

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Space Kitty 2000

March 24, 2014

It’s finally here! The second (but fifth in all) album from my oddity project Call Me Greenhorn. Entitled Space Kitty 2000, the follow-up to the 2013 album The Hit ‘In Sounds’ of Today’s Outside Crowd! offers eleven tracks written and recorded between December 2013 up to March of this year. No real reason for the title, it just struck me as “fun” – which in all honesty is at least 75% of the reason I’m doing this to being with.

Personally I am very satisfied with this collection of tracks. Listening to it now I think it has a nice flow and it seems that I finally arrived at a point creatively where all my influences – sans punk rock and 1980s American hardcore – blended together in a sound that showcase them all quite nicely. It’s all here; Old school soul, funk and R&B; cheesy Moog weirdness; lounge; retro-futur; Beastie Boys-styled breakbeats, 1980s new wave/synths (there’s even some Kraftwerk!) and I even managed to add some King Tubby-esque techniques into it all – including two dubs.

Available via Bandcamp and iTunes as of now, Amazon.com will be added next week with tons more to follow. If you’ve got Spotify or Last.FM you can stream the album here and here, and make sure to check out the Simian Walk video on YouTube (below) and Vimeo here!

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Simian Walk

March 14, 2014

Well, I’m pretty stoked to finally announce that the first video for Call Me Greenhorn‘s new album Space Kitty 2000 is finished. It sure took a while – this is actually the third video I edited due to some unforseen circumstances – so I was pretty relieved to have this over with.

Using footage from Neri Parenti‘s 1979 rip-off homage to Saturday Night FeverThe Face with Two Left Feet aka John Travolto …da un insolito destino - it features some pretty bad ass disco dancing courtesy Italian John Travolta look-alike Giuseppe Spezia (rumored to have done plastic surgery to enhance said likeness) and Gloria Piedimonte with Cicciolina herself – Ilona Staller – admiring his moves.

The album will be released soon – I just gotta coordinate it with iTunes, Amazon, Spotify etc. – so I’d say in roughly two weeks the eleven tracks will be online. In the mean time, make sure to check out Code Red‘s DVD of the Italian spoof here.

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Quijada

March 2, 2014

Well,  I finally got around to get a page on SoundCloud for my Call Me Greenhorn project, adding at least one song each from the over a dozen releases I did last year. As an added bonus I decided to upload the recently finished track Quijada from the coming Space Kitty 2000 album.

Also, make sure to check out Gorilla Film Magazine‘s debut podcast episode of The Bunker featuring Veronica Simmonds, Tim Dalling and BAFTA winning animator Mikey Please, with music by Keir Docherty, Jonathan Day and yours truly.

Give ‘em a spin at https://soundcloud.com/callmegreenhorn and spread the word! More teasers from the coming album:

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John Brito Films

February 25, 2014
copyright John Brito Films 2013

copyright John Brito Films 2013

It’s official: I am teaming up with John Brito Films to create the intro theme for his upcoming horror/sci-fi/fantasy web series. Demos were created and sent and now we’ve agreed on a concept and sound that works for what he envisioned.

Posted earlier on the official Facebook page, John made the following statement:

Heading towards the finishing line with episode 1 (“The Cellar”) of our horror/sci-fi/fantasy webseries! Retro-Dark-Wave-Elektro Genius Magnus Sellergren will compose the sound for our Webseries-Intro. Yeah!

The concept for the series looks awesome, John has assembled a great cast and crew and I am very thrilled to be involved in the process.

More info at http://www.johnbrito.net/ and http://johnbritoblog.com/

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Spotify and iTunes

February 4, 2014

Skärmavbild 2014-02-03 kl. 23.23.49

If you got either Spotify or iTunes I can now gladly announce that every album by Call Me Greenhorn is available at both streaming providers. I recently signed up with a great service that takes care of all the uploading duties – without charging an arm or a leg like others – and after having all of 2012s releases made available in less than a week I can now vouch these guys get the job done!

So, check ‘em out, feel free to offer “shout-outs” (or whatever they’re called), add ‘em to your playlist and help spread the word. Links are as follows:
Spotify: https://play.spotify.com/artist/66Mvxd5K8u07H5I1Z0szgq
iTunes: https://itunes.apple.com/gb/artist/call-me-greenhorn/id808355788

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Loud Comix logo t-shirt!

January 29, 2014
Get some!

Get some!

Head on over to Birdcage Bottom Books to pre-order the Loud Comix logo t-shirt! With art by Jamie Vayda (and me handling font duty) these puppies are one-color silk screens printed on 100% pre-shrunk black Gildan 5.3 oz heavy cotton. Pre-orders are expected to ship towards the end of February and the asking price is $15. All sizes available. Get ‘em here.

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Northwest Passage

January 20, 2014

Today marks the 68th birthday of director David Lynch, and what better way to celebrate than to offer up a taste of my coming, yet-to-be-titled EP? Entitled Northwest Passage, the track was heavily inspired by the cult TV series Twin Peaks, so I figured today was pretty fitting to upload it. Using footage from the pilot episode – hence the song title, natch! – with some choice cuts from Twin Peaks: Fire Walk With Me I think it turned out pretty okay. Check it out and spread the word

Speaking of which: You heard the news that has every ‘Peaks fan going gaga right now that Lynch is back in the Pacific Northwest shooting new footage for the series? I’m not too sure if this means that the final, third season will see the light of day or it’s just additional (promo) footage. Still, it’s pretty exciting, no?

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Sock It to Me, Baby!

January 7, 2014

A week in on the new year I’d figured it was time to create something new, right? Well, good thing yesterday evening was one of those brilliant creative bouts that don’t happen too damn often, but still thrills me to no end when “they fall right in your lap” like I prefer to call it.

Pretty much taking a break from some soundtrack work, I decided to toy around with this so-so kinda horn section sample and the next thing you know the tentatively titled Funky Simian jumped out of me. Adding a nice funk rhythm to it I figured I wanted to go kinda surf-ish with the whole thing – but using Casio keyboards instead of guitars. It turned out kinda groovy and quirky with a nice “cool” vibe, for lack of a better word.

Having the track roughly 80% finished I was so psyched by the results last night that I decided to create a teaser video using some old sexploitation trailer in order to share it. Taken from Lou Campa‘s 1968 Sock It to Me, Baby – released by Something Weird Video, natch! – it’s a nice sort of tribute to Mike Vraney. Roughly a minute long, so check it out on YouTube and spread the word.

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Post #650: Summing up 2013

December 31, 2013

Oh jeez, has it been a whole year already? Well, 2013 sure flew by fast I can tell you and I can’t say I remember that much on account of pretty much working my ass off for these past 52 weeks. In fact I once again had to go through the blog in order to check up on what happened and when because it’s all kind of a blur to me. So here we go:

copyright Sellergren Design 2011!January saw the release of Germany-based CRKO #3/4, which I made one of the covers for. Mid-through the month I finally got PropellerheadsReason 6.5 and music-wise things were never quite the same. The rough mix of In Space, originally slated for my first full length album, somehow turned into a 7-song EP released towards the end of the month. The Adventures of Superseven and Sandra West was released in a mammoth 5 DVD box collecting their initial 28 episodes plus bonus goodies like The Norliss TapesGroovy video. My work for the series earned both me and The Norliss Tapes our own pages on IMDB.com.

February saw the release of Sal Canzonieri‘s book Electric Frankenstein, compiling posters and record sleeves made for them during the period of  June 2005 to December 2013, but I’ve still to receive any confirmation that my contributions are in it. Check out on Amazon.com.

March saw the initial demos for my faux-OST L’Isola die Morti Viventi being created, starting out with A Modest Tribute to Fabio Frizzi. Meanwhile I finished up most of the tracks for the Adventures of Superseven and Sandra West soundtrack album and released the doomsday-dub Armageddon Dub, with a b-side featuring some drumming courtesy The Jimmy C.

squawkyApril kicked off with the release of the super-silly EP Squawky – featuring one of my personal fave b-sides The Name is West. A teaser-taste freebie of the coming soundtrack album was released and the They Call Me Superseven OST was released mid-month. The web series ran a successful campaign on Kickstarter, generating funds for the third season. UK label Dead by Mono‘s third installment of No Way Out! saw the physical debut of The Norliss Tapes with the track A Trip to the Moon. Me and UK photographer Robert Boud crossed paths resulting in some pretty cool collaborations. The end of the month saw the release of Call Me Greenhorn’s new-wave-ish Chasing the Dawn EP, originally slated for inclusion in an Australia-produced feature, but somehow that fell through. The poster I created to commemorate the launch of The Bigfoot Diaries live radio show was released in a limited edition.

May saw the release of Robert Boud’s video for Armageddon Dub, more dub sounds as The Titan Was Deemed Unsinkable was posted on SoundCloud, more videos as Robert Griffith‘s Here Comes Gorbot was made official and The Harvester appeared on SoundCloud, slated for an EP that I totally forgot about. The Jimmy C released the eight-track EP The Man Who Never Dies featuring three mixes I did and the month ended with the release of the CMGH2 album, aka The Abandoned Project.

copyright Sellergren Design 2013!

June kicked off with a teaser taste from my stoner project Ursa Major, followed by The Hit ‘In Sounds’ of Today’s Outside Crowd album and I chipped in some $$$ on Kickstarter for James R. Petix and Sarah Babila‘s documentary It Came From Detroit.

July had me creating some merchandise designs for Belgium’s own Captain Catastrophy, I released the I’m Normal! cloudcast on MixCloud, released the “summer bonus” EP L’amour en Apesanteur and started my second side project Get Carpenter – I gotta admit I just love that name!

August saw me launching my page on Society 6, kicking off with the August 18, 1973 series honoring Tobe Hooper‘s horror classic The Texas Chain Saw Massacre. My stoner side project Ursa Major debuted with its 18-minute two-track Like Leaves and the end of the month saw the release of my faux-OST L’Isola die Morti Viventi.

September saw the launch of greenhorndub.bandcamp.com where I added the four-track The Titan Was Deemed Unsinkable EP after things turned out less-than-optimal over at dubmusic.com. The same month Pink Hulk EP followed. The John-Carpenter-meets-King-Tubby track Cutthroats at Midnight was finished and I began work on a S/T EP. The end of the month saw the release of the Halloween-themed The Ghost of Lee Van Cleef EP and Robert Boud’s video The Modern Day Holocaust.

copyright Sellergren Design 2013!

In October I chipped in more of my hard-earned cash to support Tal Zimerman‘s project Why Horror? on Kickstarter, a documentary on the whys behind this film genre, and I even had a chance to do an interview with the guy for Swedish Gore Film Society. Towards the end of the month my second Haunted House of Horrors cloudcast was released in time for Halloween.

November saw me creating some artwork for U.S.-based true crime magazine Serial Killer Magazine and the end of the month saw the release of the Cutthroats at Midnight EP.

Finally, December saw the launch of Jamie Vayda‘s Loud Comix #2 – featuring a sleeve by yours truly – the release of the It Came From Detroit documentary – check it out! – and some videos I edited with a new freebie video editing software: Battle è in Arrivo, In Orbit, Invasion of the Dead and Voodoo Rhythm/A Feast on Flesh.

Yikes! How’s that for a list? Gee, no wonder I’m tired. But then again, I am quite enjoying myself and hopefully people out there enjoy what I create as well. Got more cool things happening in 2014 and I’d appreciate you joining me to check ‘em out. ‘Til then, Happy New Year!

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Invasion of the Dead

December 28, 2013

With the recent review of Call Me Greenhorn‘s L’Isola dei Morti Viventi in Rue Morgue magazine – and there’s more to come, natch – I decided to create something visual in order to spread the word online. With the track Invasion of the Dead (Main Theme 2) actually being inspired by the final, church-storming sequence in Lucio Fulci‘s Zombie Flesh-Eaters (aka Zombie 2) it wasn’t that hard to figure out what imagery to use, so I popped my German bootleg *cough* DVD into my new video editor and got to work.

As an added bonus I decided to see how effective the track A Feast on Flesh would be set to the zombie-munching sequence of said movie and it turned out pretty cool as well. A couple of quick edits – unlike Fulci I chose not to start with a gory visual punch, opting for revealing more carnage as the scene progressed instead – and it was done. Consider it a bonus. A NSFW bonus.

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